First developed by Islamic potters in the 800s, lustre glazes are among the most technically difficult and visually delicate of ceramic effects. Potters in Gubbio and Deruta achieved one of the high points of lustre glazing in the 1500s.
The Fine Arts Museums present the first major exhibition in the United States devoted to the Le Nain brothers—Antoine (ca. 1598–1648), Louis (ca. 1600–1648), and Mathieu (1607–1677). Unmarried and childless, the brothers lived and worked together as they produced some of the most enigmatic and arresting paintings of their time.
Adults $20, seniors 65+ $17, students with current ID $10, youths 6–17 $10, members and children 5 and under free. Prices subject to change without notice.
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This exhibition is organized by the Fine Arts Museums of San Francisco, the Kimbell Art Museum, and Musée du Louvre-Lens. Curator’s Circle: The Bernard Osher Foundation. Conservator's Circle: Mr. Lionel Sauvage. Benefactor's Circle: Phoebe Cowles and Robert Girard.
The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
The catalogue is published with the assistance of the Andrew W. Mellon Foundation Endowment for Publications.
Louis Le Nain, Peasants before a House, ca. 1640. Oil on canvas. FAMSF, Museum purchase, Mildred Anna Williams Collection, 1941.7
Ancient Egypt meets modern medicine in this exhibition that makes use of state-of-the-art scientific techniques to explore two of the Fine Arts Museums’ mummies. An interdisciplinary team of scientists, Egyptologists, physicians, and museum curators and conservators has learned more about how these embalmed individuals lived, died, and were prepared for the afterlife.
Mined from the wide-ranging collections of the Fine Arts Museums, Wild West explores artistic responses to the natural and cultivated landscapes of the western United States from the frontier era to the present. The exhibition features paintings, sculptures, prints, drawings, photographs, historical artifacts, and ephemera in a thematic presentation that celebrates the abundance and diversity within the region’s physical environment.
The 17th century Dutch Golden Age is one of the most extraordinary periods in art history. This talk will explain why Holland had such a rich output of paintings and discuss at least one portrait, genre scene, landscape, marine painting, still life and biblical scene in the Legion’s outstanding collection.
This single-gallery exhibition celebrates the recent gift of an extraordinary group of 33 artist-illustrated books and additional prints from the collection of the late Reva and David Logan. The Chicago-based couple assembled an important collection of deluxe artist books and donated approximately 300 of them to the Museums from 1998 to 2001.
Entry to this exhibition is included in general admission to the museum.
Adults $10, seniors 65+ $7, students with current ID $6, youths 13–17 $6, members and children 12 and under free. Prices subject to change without notice.
Pablo Picasso, Visage [Marie-Thérèse Walter], frontispiece in Picasso, by André Level (Paris: Les Éditions G. Crès and Cie, 1928). Lithograph, 8 1/2 x 5 9/16 inc. FAMSF, gift of the Reva and David Logan Foundation, 2016.15.15. © 2016 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Among the myths that America has created, the "American West" is one of the most potent and long lasting. It came into existence during the last years of the nineteenth and the beginning of the twentieth centuries at a time when there were major national insecurities. Influenced by dime novels, paintings, books, plays, and eventually film, and created by easterners; the myths of the west and "the western" have become ingrained in the American mind.