Waking Dreams: Max Klinger and the Symbolist Print

February 28, 2009 - September 6, 2009
Drawn from the collection of the Achenbach Foundation for Graphic Arts, Waking Dreams highlights the dream-like etchings of Max Klinger (1857–1920), the German Symbolist artist best known for his enigmatic portfolio Paraphrases About the Finding of a Glove (1881). In addition to his activities as a painter and sculptor, Klinger was one of the most imaginative graphic artists of the late 19th century. He was a technical virtuoso who had the ability to literally transcribe his innermost visions, the daydreams, fantasies and nightmares of his highly creative and profoundly romantic soul. Waking Dreams presents Klinger’s graphic oeuvre alongside visionary etchings, lithographs and woodcuts by his precursors and contemporaries.Read more »

John Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and His Family Foundation

July 11, 2009 - November 8, 2009
John Baldessari began making prints in the mid-1970s and has continued to produce editions through the years with publishers such as Brooke Alexander Editions, Cirrus Editions, Gemini G.E.L., and Crown Point Press. This retrospective of prints is organized by the Fine Arts Museums from the Portland, Oregon-based collection of Jordan D. Schnitzer, which has among its vast print holdings a complete archive of Baldessari’s printed work.

To Dye For: A World Saturated in Color

July 31, 2010 - January 9, 2011

To Dye For features over 50 textiles and costumes from the Fine Arts Museums’ comprehensive collection of textiles from Africa, Asia and the Americas. A truly cross-cultural presentation, the exhibition showcases objects from diverse cultures and historical periods, including a tie-dyed mantle from the Wari-Nasca culture of pre-Hispanic Peru (500–900 A.D.), a paste-resist Mongolian felt rug from the 15th–17th century and a group of stitch-resist dyed 20th-century kerchiefs from the Dida people of the Ivory Coast. These historical pieces are contrasted with artworks from contemporary Bay Area artists. The exhibition highlights several recent acquisitions, including important gifts such as a pair of ikat-woven, early-20th-century women's skirts from the Iban people of Sarawak, Malaysia and two exquisite hand-painted and mordant-dyed Indian trade cloths used as heirloom cloths by the Toraja peoples of Sulawesi, Indonesia.

Paris sans fin: Alberto Giacometti’s Paris

The Logan Gallery of Illustrated Books
March 27, 2010 - September 5, 2010

Best known for his achievements in sculpture and painting, Alberto Giacometti (1901–1966) was also an accomplished printmaker. In 1957 he began an epic series of 150 lithographs of his beloved Paris, where he had lived since 1922. The lithographs were intended for a deluxe artist’s book Paris sans fin (Paris Forever) that would be published by Tériade, one of the great innovators of the artist book in the modern era.

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Annual Giving

The Annual Giving Program brings together an important and dynamic group of individuals who share a passion for art and the Fine Arts Museums. Their gifts provide vital support for our exhibitions, education programs, and the care of our collections. Annual Giving donors receive a host of attractive benefits, including invitations to exclusive exhibition openings, private tours, and VIP tickets for exhibitions.

Giving Levels and Benefits

Donors

Friend ($1,000–$2,499)

Donors receive the following exclusive privileges:

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Photo/Synthesis

May 1, 2010 - October 3, 2010

Photo/Synthesis highlights the dynamic trend in the field of contemporary photography, collages, assemblages, and other multi-part or composite photo-based projects. Dating from the 1960s to the present, the works in this exhibition transcend the limitations of traditional photography in which the camera simply captures a unique view or a decisive moment in time. Breaking free of the conventional frame, they are instead the products of various methods of assembling and organizing multiple photographic images into larger artistic statements. In each case, the sum communicates much more than the component parts.

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I Keep Foolin’ Around: William T. Wiley as Printmaker

March 20, 2010 - July 4, 2010

Bay Area artist William T. Wiley (b. 1937) is well known as a painter, sculptor, and draftsman whose imagery is infused with a lively blend of satiric wit, cultural commentary, and storytelling. I Keep Foolin’ Around focuses on his significant work in printmaking and features prints from the museum’s collection, including its William T. Wiley Print Archive and the Crown Point Press Archive.

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Corporate Supporters

The Fine Arts Museums would like to thank the following companies for their support:

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Business Council Levels & Benefits

Corporate Donor


$1,000–$2,499

  • 10 general admission tickets.
  • One company membership card and 10% discount on new individual memberships for employees.
  • Invitations to the Annual Luncheon and other donor events, plus subscription to Fine Arts magazine.
  • Company acknowledged on FAMSF’s donor signage, publications, and website.

Corporate Patron


$2,500–$4,999

  • 25 general admission tickets.
  • Two company membership cards and 10% discount on new individual memberships for employees.
  • Invitations to the Annual Luncheon and other donor events, plus subscription to Fine Arts magazine.
  • Company acknowledged on FAMSF’s donor signage, publications, and website.

Corporate Sponsor


$5,000–$9,999

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Planned Giving at the Fine Arts Museums of San Francisco

Join the Renaissance Society.
Share in a vision that secures our future.

The Renaissance Society of the Fine Arts Museums of San Francisco honors individuals who believe that the de Young and the Legion of Honor museums have a vital place in our cultural life, and have expressed their support through a bequest or other planned gift. These gifts can offer significant tax benefits to you or to your estate, while also providing critical support to the Fine Arts Museums. You may designate your planned gift to our general operating expenses, for special projects, or for long-term endowment support.

Join the Renaissance Society and help preserve and expand our rich history of innovation and commitment to excellence for future generations.

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