With their numerous exhibitions and community programs, both the de Young and the Legion of Honor rely greatly on the Fine Arts Museums' Volunteer Council, a vital, 300-member organization that provides visitor services and staff support six days a week.
One of the Museums’ most vital sources of support is our Annual Giving program. This program brings together a dynamic group of individual donors who are passionate about art and dedicated to ensuring that diverse communities have access to our exhibitions and programs throughout the year. These generous individuals are, in turn, enriched by the impact of their contributions on those whose horizons are broadened by their museum experiences.
Annual Giving donors enjoy a host of attractive benefits, including invitations to exclusive events, private tours, and VIP tickets.
Major gifts of support have a significant impact on the Museum’s ability to present new exhibitions, offer the highest-quality of educational programming, and engage audiences in interactive experiences with art. They enable the conservation of FAMSF’s collections, and inspire capital projects which support asset-building needs. Major gifts come in many forms and can be made through cash contributions, gifts of appreciated securities, bequests and planned gifts, or in-kind gifts such as contributions of valuable art.
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The Fine Arts Museums of San Francisco rely on our vital partnerships with corporations, foundations, and governmental institutions for support of our exhibitions and programs. Whether start-ups, large international corporations, or family or community foundations, organizations have a range of options to support the Museums, inspire creativity among their workforces and museum visitors, and build community through art.
The Japanese Print in the Era of Impressionism introduces audiences to the development of the Japanese print over two centuries (1700–1900) and reveals its profound influence on Western art during the era of Impressionism. This exhibition complements the de Young Museum’s presentations of paintings from the Musée d'Orsay, many of which are aesthetically indebted to concepts of Japanese art.
La ville lumière—“the City of Light”: Paris earned this nickname during the 19th century with the proliferation of gas lamps that lit up the French capital, turning night into day and boosting its economic vitality. Moreover, the radiance of the metropolis transcended the glow of its streetlights as Paris ascended to its role as the cultural capital of Europe. Authors, composers, and especially visual artists—painters, sculptors, printmakers, and photographers—thrived in this dazzling setting.
Additional support provided by GOODBYES.
Already an established writer known for his pacifist sympathies and the 1941 anti-war novel Journal of Albion Moonlight, Kenneth Patchen (1911–1972) and his wife, Miriam, settled in the Telegraph Hill neighborhood of San Francisco in 1950. They became friendly with Lawrence Ferlinghetti, founder of the City Lights publishing company and bookstore and Patchen became a contributor to Ferlinghetti’s Pocket Poets series.