This display of Sèvres and Vincennes porcelain celebrates a significant promised gift from Gustavo Seriñá to the Fine Arts Museums. Showing highly-decorated porcelain tea and dining wares, thirty pieces from this collection are from the early production of the French Royal Factory which was founded at Vincennes in 1740 and moved to Sèvres, just outside Paris, in 1756. This presentation highlights the Museums’ growing collection and its ability to present new exhibitions and scholarship in the field of European eighteenth-century porcelain.
For almost six decades Frank Stella has been one of the most important and influential figures in the evolution of modern art, expanding the definitions of art and challenging its conventions. Exploring pictorial space—how paintings can seem to expand or contract, lie completely flat or envelop the viewer, suggest movement or foster stillness—has led to some of Stella’s most significant innovations.
Artist: Stanley Mouse and Alton Kelley Publisher: Family Dog. Printer: The Bindweed Press. “Skeleton and Roses,” Grateful Dead, Oxford Circle, September 16 & 17, Avalon Ballroom, 1966. Color offset lithograph poster, 50.7 x 35.6 cm (19 15/16 x 14 in). Fine Arts Museums of San Francisco, Museum purchase, Achenbach Foundation for Graphic Arts Endowment Fund, 1974.13.100
April 8–August 20, 2017 | de Young
Edgar Degas, The Milliners, about 1882 - before 1905. Oil on canvas, 59.1 × 72.4 cm (23 1/4 × 28 1/2 in.). The J. Paul Getty Museum, Los Angeles
February 12 – May 7, 2017 | St. Louis Art Museum
June 24 – Sept. 24, 2017 | Legion of Honor
SAN FRANCISCO, Oct. 04, 2016—Best known for his depictions of Parisian dancers and laundresses, Edgar Degas (French, 1834-1917) was enthralled with another aspect of life in the French capital—high-fashion hats and the women who created them. The artist, invariably well-dressed and behatted himself, “yet dared to go into ecstasies in front of the milliners’ shops,” Paul Gauguin wrote of his lifelong friend.