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Individual Giving

Contact Information

Pam Earing
Director of Individual Giving
415.750.8940
pearing@famsf.org

Larissa Trociuk, Individual Giving Officer
415.750.3641
ltrociuk@famsf.org

Major gifts of support have a significant impact on the Museum’s ability to present new exhibitions, offer the highest-quality of educational programming, and engage audiences in interactive experiences with art.   They enable the conservation of FAMSF’s collections, and inspire capital projects which support asset-building needs.  Major gifts come in many forms and can be made through cash contributions, gifts of appreciated securities, bequests and planned gifts, or in-kind gifts such as contributions of valuable art.

Corporate, Foundation, and Government Giving

Contact Information

Kathleen Brennan
Foundation and Government Giving Officer
415.750.2637
kbrennan@famsf.org

Christopher Rivers
Senior Corporate Giving Officer 
415.750.3546 
crivers@famsf.org

The Fine Arts Museums of San Francisco rely on our vital partnerships with corporations, foundations, and governmental institutions for support of our exhibitions and programs. Whether start-ups, large international corporations, or family or community foundations, organizations have a range of options to support the Museums, inspire creativity among their workforces and museum visitors, and build community through art.

Volunteer

With their numerous exhibitions and community programs, both the de Young and the Legion of Honor rely greatly on the Fine Arts Museums' Volunteer Council, a vital, 300-member organization that provides visitor services and staff support six days a week.

Degas, Impressionism, and the Paris Millinery Trade

Tue, 10/04/2016

Edgar Degas, The Milliners, about 1882 - before 1905. Oil on canvas, 59.1 × 72.4 cm (23 1/4 × 28 1/2 in.). The J. Paul Getty Museum, Los Angeles

February 12 – May 7, 2017 | St. Louis Art Museum
June 24 – Sept. 24, 2017 | Legion of Honor

SAN FRANCISCO, Oct. 04, 2016—Best known for his depictions of Parisian dancers and laundresses, Edgar Degas (French, 1834-1917) was enthralled with another aspect of life in the French capital—high-fashion hats and the women who created them. The artist, invariably well-dressed and behatted himself, “yet dared to go into ecstasies in front of the milliners’ shops,” Paul Gauguin wrote of his lifelong friend.

Francisco Rosas
Public Relations Coordinator
tel: 415.750.8906
Miriam Newcomer
Director of Public Relations
tel: 415.750.3554 cell: 310.592.5238
Press Releases 

Legion of Honor Launches Official App

Thu, 01/21/2016

Legion of Honor app

App uses Interactive 3D Mapping & Indoor Positioning Technology

SAN FRANCISCO (January 21, 2016) – The Fine Arts Museums of San Francisco are pleased to unveil the official app for the Legion of Honor. Taking advantage of Apple’s latest developments in indoor positioning, the app serves as a personal tour guide for museum-goers, allowing visitors to wander the galleries as if on a private curatorial tour. This is the first app for the Legion of Honor.

Francisco Rosas
Public Relations Coordinator
tel: 415.750.8906
Miriam Newcomer
Director of Public Relations
tel: 415.750.3554 cell: 310.592.5238

Oscar de la Renta: The Retrospective

Thu, 12/17/2015
Oscar de la Renta, Evening dress, Spring 2012. Emerald-green silk taffeta, black Battenburg lace. Oscar de la Renta. (Peter Michael Dills/Getty Images)

World Premiere
de Young, San Francisco | March 12 – May 30, 2016

SAN FRANCISCO – The Fine Arts Museums of San Francisco are pleased to present the world premiere retrospective of Oscar de la Renta’s work – the first major survey celebrating the life and career of one of fashion’s most influential designers. The exhibition is organized in close collaboration with the House of Oscar de la Renta and the designer’s family, and is curated by André Leon Talley, former American editor-at-large for Vogue and a lifelong friend of de la Renta.

Francisco Rosas
Public Relations Coordinator
tel: 415.750.8906
Miriam Newcomer
Director of Public Relations
tel: 415.750.3554 cell: 310.592.5238

The Book and the Binding

Reva and David Logan Gallery of Illustrated Books
November 17, 2012March 24, 2013

It was not until the emergence of the artist book in the 20th century that book bindings—a book’s front and back covers and spine—came to be appreciated as more than merely protective or decorative. In the early 1900s, any deluxe artist book—with original print illustrations by a well-known artist, printed on fine papers, and issued unbound in limited quantity—fairly cried out for a creative binding.

Location 
The Book and the Binding

Paul Bonet, binding design for the book Nuits de Paris, by Francis Carco (Paris: Au Sans Pareil, 1927), 1927. Onlays of leather with gold tooling. FAMSF, gift of Earl M. Collier Jr. in honor of Ann and Bill Anderson

Artful Animals, Part 1

November 17, 2012April 28, 2013

Since the dawn of time, human beings have been fascinated with the animal world. Depictions of animals are some of the earliest known artistic efforts, dating back to the Paleolithic Era. And this interest has never abated. From sustenance to companionship, animals play a variety of roles in our lives and inspire a range of emotions—fear, love, awe—as well as a host of symbolic associations.

Location 
composite camel

Anonymous Indian artist. Composite Camel, 19th century. Miniature. Achenbach Foundation for Graphic Arts. 1963.24.694 

Pages

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