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The Cult of Beauty: The Victorian Avant-Garde 1860–1900

February 18, 2012June 17, 2012

The Cult of Beauty: The Victorian Avant-Garde 1860–1900 is the first major exhibition to explore the unconventional creativity of the British Aesthetic Movement, tracing the evolution of this movement from a small circle of progressive artists and poets, through the achievements of innovative painters and architects, to its broad impact on fashion and the middle-class home.

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Ticket Information 

Admission prices: adults $20, seniors 65+ $17, students with current ID $16, youths 6–17 $10, members and children 5 and under free.

Groups of 10 or more have access to priority booking and discounted rates. For additional information please contact the group sales office at groupsales@famsf.org or by calling 415.750.3620.

Exhibition organized by the Victoria & Albert Museum, London, and the Fine Arts Museums of San Francisco in collaboration with the Musée d’Orsay, Paris.

Grand Patron

Diane B. Wilsey

Lead Patrons

Athena and Timothy Blackburn

Patrons

Lucy and William Hamilton
Maria and John Pitcairn
Arlene Schnitzer
The Frances K. and Charles D. Field Foundation

Sponsors

Rosemary Baker
Marie Mendenhall Cleasby
Leslie and Troy Daniels in memory of Diana V. Hind
Charles and Ann Johnson
Ross Auxiliary of the Fine Arts Museums

HansonBridgettThe Fairmont San Francisco

Love and the Maiden

John Spencer Stanhope, Love and the Maiden, 1877. Tempera, gold paint and gold leaf on canvas. FAMSF

The Mourners: Tomb Sculptures from the Court of Burgundy

August 20, 2011January 1, 2012

The Mourners: Tomb Sculptures from the Court of Burgundy consists of 37 sculptures from the tomb of John the Fearless (1371–1419), the second duke of Burgundy. His elaborate tomb, once housed at a monastery on the outskirts of Dijon, is now one of the centerpieces of the Musée des Beaux-Arts de Dijon. The exhibition draws almost entirely from the collection of the Musée des Beaux-Arts de Dijon.

Preview the sculptures in 360º and 3D at www.themourners.org.

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Ticket Information 

Entry to The Mourners is included with Legion of Honor general admission.

The Mourners: Tomb Sculptures from the Court of Burgundy has been organized by the Dallas Museum of Art and the Musée des Beaux Arts de Dijon, under the auspices of FRAME (French Regional and American Museum Exchange).

FRAME

The exhibition is supported by a leadership gift from the Iris and B. Gerald Cantor Foundation.

Major corporate sponsorship is provided by Bank of the West – Member BNP Paribas Group.

Bank of the West

Additional support is provided by the Florence Gould Foundation, the Eugene McDermott Foundation, Connie Goodyear Baron, and Boucheron.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Education programs held in conjunction with the exhibition are part of the FRAME Annenberg Education Project. Support for the FRAME Annenberg Education Project is provided by the Annenberg Foundation through FRAME, the French Regional and American Museum Exchange.

The San Francisco presentation is supported by The Brown Foundation.

Mourners

Pissarro's People

October 22, 2011January 22, 2012

Camille Pissarro had a unique and lifelong interest in the human figure. From his earliest years in the Caribbean and Venezuela until his death in Paris in 1903, Pissarro drew, painted, and made prints featuring human subjects from every walk of life, which outnumber the figural works of his colleagues Monet and Sisley. Pissarro’s People celebrates the painter’s humanism in all its aspects and brings together nearly 100 works of art, including some 37 paintings and numerous works on paper made over the course of his entire career.

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Ticket Information 

Admission prices: adults $15, seniors 65+ $12, students with current ID $11, youths 6–17 $10, members and children 5 and under free.

Groups of 10 or more have access to priority booking and discounted rates. For additional information please contact the group sales office at groupsales@famsf.org or by calling 415.750.3620.

Pissarro’s People was organized by the Fine Arts Museums of San Francisco and the Sterling and Francine Clark Art Institute. It is supported in part by a grant from the National Endowment for the Arts and by an indemnity from the Federal Council on the Arts and the Humanities. The Grand Patron is Jeannik Méquet Littlefield. Education Sponsors are Denise Littlefield Sobel, Wells Fargo, and the S. D. Bechtel, Jr. Foundation. Sponsors are Nan and Ransom Cook, Raj and Helen Desai, and Charles and Ann Johnson. The catalogue is published with the assistance of the Andrew W. Mellon Foundation Endowment for Publications.

Grand Patron

Jeannik Méquet Littlefield

Education Sponsors

S. D. Bechtel, Jr. Foundation
Denise Littlefield Sobel
Wells Fargo

Sponsors

Dr. N. L. Ascher
Nan and Ransom Cook
Charles and Ann Johnson

Nationa Endowment for the Arts Wells Fargo

The catalogue is published with the assistance of the Andrew W. Mellon Foundation Endowment for Publications.
 

Pissarro's People

L: Camille Pissarro, Jeanne Pissarro, Called Cocotte, Reading, 1899. Oil on canvas. Collection of Ann and Gordon Getty. R: Camille Pissarro, Apple Harvest, 1888. Dallas Museum of Art, Munger Fund, 1955.17.M

Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection

July 9, 2011October 2, 2011

One of the finest collections of 17th-century Dutch Old Masters belongs not to a museum, but to Rose-Marie and Eijk van Otterloo, who have been called “the most important collectors you’ve never heard of.” Masterworks from this collection are constantly sought-after for American and international exhibitions. The selection of paintings includes premier examples of quintessentially Dutch subjects—from portraits and still lifes to landscapes and charming scenes of everyday life.

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Ticket Information 

Adults $15, seniors 65+ $12, youths 13–17 and students with current ID $11, and members and children 12 and under free

Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection is organized by the Peabody Essex Museum, Salem, Massachusetts, in conjunction with the Mauritshuis, The Hague.

Major Foundation Support

Richard C. von Hess Foundation

Lead Patrons

Phoebe Cowles
J. Burgess and Elizabeth B. Jamieson

Patrons

The Samuel H. Kress Foundation
Circle of Friends in honor of Rose-Marie and Eijk van Otterloo

Additional support provided by the Netherland-America Foundation in honor of Frederik J. Duparc. The exhibition is supported by an indemnity from the Federal Council on the Arts and Humanities.
 

Gerrit Dou (1613–1675), Sleeping Dog (detail), 1650. Oil on panel, 6 ½ x 8 ½ inches. The Rose-Marie and Eijk van Otterloo Collection. Image courtesy Museum of Fine Arts, Boston

Reading the Floating World: Japanese Ukiyo-e Books from the Collection of Arthur Tress

The Reva and David Logan Gallery of Illustrated Books
March 5, 2011July 24, 2011

The flowering of popular culture during Japan's Edo period (1600–1868) brought about a revolution in Japanese publishing and the art of the book. With prosperity and the spread of literacy, particularly among the merchant class, a great variety of reading material developed, including illustrated books of poetry, legends and folk-tales, romances, and travel guides.

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Lovers

Utagawa Kunisada, Lovers, in the book An Appraisal of Sensual Pleasure (Shiki no nagame). Color woodcut, ca. 1830s. Collection of Arthur Tress

Rupert Garcia: The Magnolia Editions Projects 1991–2011

February 19, 2011July 17, 2011

Renowned Bay Area artist Rupert Garcia is committed to creating artwork not only as a means of achieving aesthetic ends, but also as a viable way of addressing social and political concerns. Through his bold silkscreens and layered pastels and paintings, Garcia catalyzes discussion and debate in a broad audience about the pressing issues that have faced the late 20th and early 21st centuries. His recent editions elaborate on his political concerns, as well as addressing his interest in challenging notions of folk and high art.

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Obama from Douglass, 2010. Pigmented inkjet. Printed and published by Magnolia Editions Inc., Oakland. Courtesy of the artist and Magnolia Editions.

The Magna Carta

May 7, 2011June 5, 2011

The Magna Carta (or Great Charter of English Liberties), one of the most important legal documents in the history of democracy, is on display at the Legion of Honor May 7–June 5. The document is presented in Gallery 3 under a Spanish ceiling dating from approximately 1500. The Magna Carta coming to San Francisco belongs to the Bodleian Library in Oxford, England, and is one of four surviving manuscripts from the revised 1217 issue.

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Press Release 

On loan from the Bodleian Libraries, University of Oxford, and made possible thanks to the generosity of Qualcomm, Irwin and Joan Jacobs, and John Wiley and Sons.

Magna Carta

Magna Carta (detail), 1217. Bodleian Library, Oxford

Marvelous Menagerie: A Roman Mosaic from Lod, Israel

April 23, 2011July 24, 2011

First unearthed in 1996 in a rescue excavation in Lod, ancient Diospolis, Israel, this large and extraordinarily detailed mosaic floor has only recently been carefully removed from its site and conserved. Found in a large villa believed to belong to a wealthy Roman, the excellently preserved mosaic floor dates to about AD 300. Two rectangular end panels flank a large square medallion. The medallion and one of the end panels contain depictions of delightful animals and exotic beasts.

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Marvelous Menagerie: A Roman Mosaic is organized by the Fine Arts Museums of San Francisco and the Israel Antiquities Authority from the collections of the National Treasures.

Lead Patron

The Selz Foundation

Patron

The Koret Foundation
Bernard Osher Jewish Philanthropies Foundation of the Jewish Community Endowment Fund
American Express

Sponsor

Anonymous
Concepcion S. and Irwin Federman
Alexander M. & June L. Maisin Supporting Foundation of the Jewish Community Endowment Fund
The Laszlo N. Tauber Family Foundation

Lod mosaic panel

Mosaic floor side panel with hexagonal medallions, Roman, ca. AD 300. Excavated at Lod (Lydda), Israel. Stone tesserae, 13 feet x 5 feet 3 inches. Israel Antiquities Authority and the Shelby White and Leon Levy Lod Mosaic Center. Image courtesy of the Israel Antiquities Authority

Arthur Szyk: Miniature Paintings and Modern Illuminations

December 4, 2010March 27, 2011

Arthur Szyk (American, b. Poland, 1894–1951) is best remembered for his diverse work as an artist and illustrator, from pochoir illustrations for traditional Jewish and Polish folktales and religious texts to watercolor designs for political cartoons that were regularly featured on the cover of Collier’s magazine throughout the 1930s and '40s. Szyk’s Polish and Jewish heritage remained central, and his attention to detail betrayed considerable historical research into his craft.

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Arthur Szyk: Miniature Paintings and Modern Illuminations is organized by the Fine Arts Museums of San Francisco.

Lead exhibition support is provided by the Koret Foundation and the Taube Foundation for Jewish Life and Culture of the Jewish Community Endowment Fund.
 

Koret FoundationTaube Philanthropies

Additional support for the exhibition is provided by Bernard and Barbro Osher.

Left: King and Queen of the Roses, illustration for the chapter titled Little Ida's Flowers in Anderson's Fairy Tales (New York: Grosset & Dunlap, 1945). Watercolor and opaque watercolor. Collection of Irvin Ungar. Center: Arthur Szyk, Paris, 1930s. Photo credit: Louvre Studio. Right: King George VI, 1938. Transparent and opaque watercolor. Collection of Irvin Ungar

Aspects of Mount Fuji in Japanese Illustrated Books from the Arthur Tress Collection

Reva and David Logan Gallery of Illustrated Books
September 11, 2010February 20, 2011

Noted photographer Arthur Tress (b. 1940) began collecting Japanese books in the fall of 1965 when he was a student at the Zen study center associated with the Shōkoku-ji temple in Kyoto. “After classes I would wander the back alleys behind the school, and I accidentally came upon a small, dilapidated secondhand bookstore that was filled from floor to ceiling with thousands of ragged old Japanese books for only a few dollars each,” he recalls.  “I was enchanted by the lovely, soft paper and bold illustrations [that were] often by important ukiyo-e artists such as Utamaro and Hokusai.

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Hokusai, Untitled (Fuji Seen from Above the Waves), [detail] from the book One Hundred Views of Fuji, 1835. Collection of Arthur Tress

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