Frida Kahlo: A Closer Look
Submitted by Diana Murphy on
Explore Frida Kahlo: Appearances Can Be Deceiving wall texts with images.
- Read more about Frida Kahlo: A Closer Look
- Log in to post comments
Family Art Making at Home: Illusion Sculpture
Submitted by Diana Murphy on
Make a sculpture without glue or tape and a drawing tool using items you have at home.
- Read more about Family Art Making at Home: Illusion Sculpture
- Log in to post comments
Inspire: Artwork from our Decorative Art and Contemporary Collections
Submitted by Diana Murphy on
“Les Sauvages de la Mer Pacifique (Native Peoples of the Pacific Ocean)” is believed to be one of the first panoramic wallpapers ever created—it inspired artist Lisa Reihana.
Preserve: John Roddam Spencer Stanhope’s “Love and the Maiden”
Submitted by Diana Murphy on
This masterpiece offers an instructive lens into the Pre-Raphaelites’ materials and techniques as well as those of the earlier artists who inspired them.
Carve: Heraldic Cedar Carvings from the Northwest Coast
Submitted by Diana Murphy on
This installation is punctuated by a totem pole made by a Tsimshian artist(s), and a Haida bear figure that was once owned by Andy Warhol.
Carve: Heraldic Cedar Carvings from the Northwest Coast
Submitted by Diana Murphy on
This installation is punctuated by a totem pole made by a Tsimshian artist(s), and a Haida bear figure that was once owned by Andy Warhol.
Take Wing: Feathers through the lens of conservation
Submitted by Diana Murphy on
Take a look at six feathered objects from the collection. Learn about how they were made, the science behind feathers, and how conservators examine and care for these objects.
de Youngsters Studio: Imaginative Hats Inspired by Nick Cave’s Soundsuits
Submitted by Lily Kaplan on
de Youngsters Studio: Fun in the Sculpture Garden
Submitted by Diana Murphy on
Create your own sculpture garden.
- Read more about de Youngsters Studio: Fun in the Sculpture Garden
- Log in to post comments
Travel: to Mexico CIty with our Director of Exhibitions
Submitted by Diana Murphy on
Krista Brugnara shares how a fateful trip, preparing for our 2017 Teotihuacan exhibition, led to the Frida Kahlo show we have been waiting to share with visitors.
Pages
