Artist: Stanley Mouse and Alton Kelley Publisher: Family Dog. Printer: The Bindweed Press. “Skeleton and Roses,” Grateful Dead, Oxford Circle, September 16 & 17, Avalon Ballroom, 1966. Color offset lithograph poster, 50.7 x 35.6 cm (19 15/16 x 14 in). Fine Arts Museums of San Francisco, Museum purchase, Achenbach Foundation for Graphic Arts Endowment Fund, 1974.13.100
April 8–August 20, 2017 | de Young
Edgar Degas, "The Millinery Shop," 1879–1886. Oil on canvas, 39 3/8 x 43 5/8 in. (100 x 110.7 cm). The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection, 1933.428. Bridgeman Images
June 24–September 24, 2017 | Legion of Honor
Claude Monet, "Luncheon on the Grass, Central Panel," 1865–66. Oil on canvas, 248 x 217 cm (97 5/8 x 85 3/8 in.). Musée d’Orsay, Paris.
February 25 – May 29, 2017
Legion of Honor
Legion of Honor app
App uses Interactive 3D Mapping & Indoor Positioning Technology
SAN FRANCISCO (January 21, 2016) – The Fine Arts Museums of San Francisco are pleased to unveil the official app for the Legion of Honor. Taking advantage of Apple’s latest developments in indoor positioning, the app serves as a personal tour guide for museum-goers, allowing visitors to wander the galleries as if on a private curatorial tour. This is the first app for the Legion of Honor.
de Young, San Francisco | March 12 – May 30, 2016
SAN FRANCISCO – The Fine Arts Museums of San Francisco are pleased to present the world premiere retrospective of Oscar de la Renta’s work – the first major survey celebrating the life and career of one of fashion’s most influential designers. The exhibition is organized in close collaboration with the House of Oscar de la Renta and the designer’s family, and is curated by André Leon Talley, former American editor-at-large for Vogue and a lifelong friend of de la Renta.
It was not until the emergence of the artist book in the 20th century that book bindings—a book’s front and back covers and spine—came to be appreciated as more than merely protective or decorative. In the early 1900s, any deluxe artist book—with original print illustrations by a well-known artist, printed on fine papers, and issued unbound in limited quantity—fairly cried out for a creative binding. Collectors of these elegant books often commissioned bookbinders to fabricate unique leather covers with original designs that evoked the spirit or mood of the book’s text or illustrations.
Paul Bonet, binding design for the book Nuits de Paris, by Francis Carco (Paris: Au Sans Pareil, 1927), 1927. Onlays of leather with gold tooling. FAMSF, gift of Earl M. Collier Jr. in honor of Ann and Bill Anderson
Since the dawn of time, human beings have been fascinated with the animal world. Depictions of animals are some of the earliest known artistic efforts, dating back to the Paleolithic Era. And this interest has never abated. From sustenance to companionship, animals play a variety of roles in our lives and inspire a range of emotions—fear, love, awe—as well as a host of symbolic associations.
Anonymous Indian artist. Composite Camel, 19th century. Miniature. Achenbach Foundation for Graphic Arts. 1963.24.694
- Photography is allowed in the permanent galleries without flash, artificial light and hand-held only, during public hours. Objects that are on loan or in a special exhibition cannot be photographed. Loan items have a “T” or “L” before the accession number.
- The Marketing Department handles requests for commercial photography and filming.
The Fine Arts Museums of San Francisco present an unparalleled collection of decorative arts from the Musée du Louvre, Paris, including some of the most exquisite treasures of the French monarchy from the time of Louis XIV until the Revolution of 1789.
Exhibition organized by the Fine Arts Museums of San Francisco with the exceptional collaboration of the Musée du Louvre.
Cynthia Fry Gunn and John A. Gunn
San Francisco Auxiliary of the Fine Arts Museums
Mr. and Mrs. Adolphus Andrews, Jr.
Richard B. Gump Trust
Mr. and Mrs. William Hamilton
Mr. and Mrs. Kevin C. Lynch
The catalogue is published with the assistance of the Andrew W. Mellon Foundation Endowment for Publications.
L: Portrait of Louis XIV, 17th century. Goldsmith-jeweler: Laurent Tessier Montarsy (?–1684). Miniature painting, silver, and diamond. Inv.: OA12280. Photo: Jean-Gilles Berizzi. C: Agate ewer. Paris, c. 1650. Enamelled gold mount. Entered the collection of Louis XIV before 1673. Inv.: MR231. Photo: Jean-Gilles Berizzi. R: Bust of Marie-Antoinette. Commissioned by Prince Alexandre Kourakine. 1782. Hard-paste porcelain. Inv.: OA10898. Photo: Peter Harholdt.